We should have classical music that’s more like pop: compressed and bass heavy. Wait, hear me out! Here’s the oft-stated problem:
- Classical music has an enormous dynamic range and lacks the punch of pop music.
- This is a practical downside. Most of it can’t really be listened to in your car, or walking on the street, or many other spaces in our noise-polluted world.
- Without that extra oomph, classical music just seems very unexciting; people want visceral music.
Now, I was building myself up for a rant on this, how the modern world is so bad and unfair and ugly and yada yada yada… But then I began asking myself, if people are accustomed to heavier music — music with a powerful bottom end — why shouldn’t there be more classical music written with this in mind? We’re not talking about digitally altering recordings or introducing amplification into the concert hall. This could be done by composers deciding to write music that is more bottom heavy, and/or orchestras restructuring themselves for this purpose.
Similarly, why not deliberately compress the music? Again, no technology is needed. We use a chasm-wide range of dynamics now, but centuries ago there was much less dynamic variation. When there was, it was used more for textural reasons than sheer volume change. There’s no reason why this stylistic trait can’t re-emerge. Composers could simply write music without having the liberty of specifying dynamics. That would go a long way.
All this could surely be a fruitful compromise with popular tastes. Good music is a product of borders, of deliberate limitations. So why not introduce a new style that takes as its borders these two traits of popular music, at the very least? And perhaps more controversially, why not use these traits as a way to reinterpret past works? Some compressed bottom-heavy classical music might just be what the 21st century needs.
It would only be appropriate to end this post with a pop song. I have come to reluctantly believe that there is but one great pop song — just one that perfectly encapsulates the absurdity, the gaudiness, the fun, the addictiveness, the danceability and the memorability of pop music. Yes, I’m awfully sorry to say, It’s Raining Men: